Thursday, February 18, 2010

Technology and Music: An Attempt to Forecast The Impact of Continual Innovation and Cloud Computing

Whither the future of digital music?

This question has been on my mind a lot lately. I see a few primary truths that dominate the current scene and immediate future:


#1: CHANGE WILL COME
The record labels haven't yet figured out the most effective way to take advantage of the digital music revolution. They are not good at change, but they recognize that change is on the way and will be forced to open their doors to experimentation and adaptation. One good example are Hulu-equivalent music downloading sites, FreeAllMusic.com and Guvera.com, who have two major labels on board (Universal and EMI) and allow you to download a limited selection of major pop chart singles and album tracks for free after simply viewing an advertisement (one song per day, per user). This model could easily take off in a scenario where other major labels join up and they collectively analyze the profit model for ad revenue from music downloading. It may not look like the most appealing option to them (as compared to the iTunes Store where consumers pay a traditional retail price), but the labels can't underestimate the impact it will have on music piracy. Nobody streams TV shows from crappy rip-off websites if those same episodes are available on Hulu - you choose the smooth stream, high quality, and you put up with the advertisement. People who are too frugal or (like me) go through enormous quantities of music will embrace an above-board music downloading model that enables you to give back to artists and labels without hemorrhaging money.




#2: ALL ROADS LEAD THROUGH APPLE
There will be massive innovations in the storage, access routes and interface with digital music over the next few years. However, the iPod and friends are so important to the average user's current interaction with digital media that a music storing and playing application will only be a viable market competitor if it can sync with your iPod. Apple is notoriously selective about which programs can sync with (or become apps on) their devices, and this functions, intentionally or not, as a vicious strategy to maintain monopoly for their entire suite of media programs and devices.




#3: HARDWARE IS GETTING EASIER
Netbooks already have a significant market (11% of the current laptop market,* though only 15-20% of netbook sales are directly cannibalized from lower-end notebooks,** with the rest being secondary computing devices), and the iPad fills a similar niche for the purposes of this analysis. If anything, the current set of web-focused devices are over-powered for the coming revolution. Google has announced plans to set their Google Chrome Operating System (currently in testing) as the default for certain new netbooks which will have virtually no on-board hard disk storage, operating on the cloud computing principle. All of these devices are small and portable enough to move around and link up to speakers, and beat out your current laptop because they will literally click on at a moment's notice (like your TV) and give you full web and media access.




#4: MINING CLOUD CITY (BESPIN OR BUST, BABY)
Cloud computing seems inevitable, and awesome. Google is absolutely building for this concept, and I see no reason they will fail. Pieces of the puzzle are already in place (Google Docs, for example) and the Google Chrome Operating System will sync perfectly with the Google Chrome Browser to make your machine an internet portal. An internet portal will be all you need when all of your files are stored online and all of the programs and applications that access those files are actually websites, or even applications integrated into the browser experience. There are already hints at this - while perusing AlternativeTo.net's set of links to free online or shareware equivalents for any program you consider essential, it becomes clear that an online equivalent of iTunes that also stores your music for you is quite plausible. Item #2 becomes relevant again here, however. Apple seems unlikely to license new competitors to their iTunes/iTunes Store music player and sales behemoth - if you are playing your music elsewhere, you won't have one-click access to their store. Hence, don't count on your iPod syncing to any cloud computing-style music application until Apple produces their own.




#5: LAGGING LAND LINES
All of this talk of cloud computing and streaming your media collection is wonderful, but most of us, even in major cities, have a frankly mediocre internet connection. The rapidfire advances emerging in other sectors are not being mirrored in our Internet Service Providers. In most locations, your ISP is your phone or cable company. These are behemoth corporations with terribly slow customer service and troubleshooting that have no real incentive to improve so long as they maintain monopoly-like holds on the "high-speed internet" markets. Enter (surprise!) Google. Google has announced plans to run an experimental broadband network in several cities around the United States. For years, Google has been buying up "dark fiber," impressively fast fiber-optic lines build during the late 90's internet bubble. In certain cities (sorry, no list yet) they will offer themselves as an alternate ISP with home internet connection speeds of 1 gigabit per second (100 to 200 times faster than your current broadband internet connection)!*** Their test offering is designed to show customers what a truly modern network connection would feel like, spurring growth across the industry and making our country a feasible place to run the kind of web-dependent computer infrastructure we are being promised. When you can download a full-length HD movie in 3-4 minutes, worrying about whether your music will access and stream smoothly from an online storage site will seem archaic.




WHAT TO EXPECT
I think we will see low or no-storage netbooks coming out with the Google Chrome OS within the next couple of years. Initially, I think there will be some problems when it comes to making your suite of applications and technology work together. Chrome will most likely have a built-in media player designed to access your files stored online, but there may still be size restrictions on your online media storage. Apple products, including the iPod and iPhone, will most likely not be allowed to sync with that player, preventing you from easily updating your newest playlists and favorite tracks. If I had to find a stopgap measure, I would be tempted to invest in something like the Iomega 34337, a 1TB External Hard Drive that also functions as a NAS (Network Attached Storage) Server, which will store all of your media files and stream them across your home wireless network so that your storage-less web portal device has a library to draw upon. With 3G capability becoming a feasible network plug-in on almost any device, you should soon be able to set your NAS device on your desk at home and go anywhere in the world (within the 3G network) while still accessing your media.

If this article reads like I'm a bit of a Google fanboy, that's a risk I'm willing to take. Their desire to open-source everything and innovate in every available arena makes me hope that an iPod equivalent device will actually take some market share and we'll no longer have to worry about Apple's buy-in for every new idea. The possibilities are virtually limitless, so keep your ear to the streets for more news on Google's ISP, the Chrome OS, and more details about the first signs of viable cloud computing. Your digital music experience is about to evolve, and soon enough you'll be happier with where you get it, how you store it and the interface that allows you to play and distribute it.

*Figure from a recent DisplaySearch study.
**Estimates from HP CEO Mark Hurd and IDC analyst Richard Shim
***Source: Faster, Faster by Farhad Manjoo on Slate.com, 2/18/1020


Fine, here's a killer new song from a hot San Francisco band for you, just as a reward for reading to the end. Don't cheat.
The Morning Benders - Excuses

Featured Artist: Local Natives


Every once in a while, I will highlight an artist/song/music scene that you need to know about. I will restrain myself to sharing only that which I cannot keep to myself. Today, I am compelled share with you Local Natives, a fantastic new band out of the Los Angeles area. Please read more about their debut album, Gorilla Manor, and scroll to the bottom to download a couple of sample tracks for yourself - they are just breaking onto the scene and news of their talent will travel fastest by word of mouth. Then, you can buy their album, play it over and over, and give it to all of your friends!

Local Natives' sound derives from a number of significant recent indie touchstones. The vocal harmonies, occasionally stretched across tastefully open spaces, call to mind My Morning Jacket and Fleet Foxes. Less concerned about showcasing the limits of his voice than Seattle's ever-evanescent Foxes, their lead singer isn't afraid to break from the melody and snarl a line or two like Modest Mouse's Isaac Brock (see: the three-minute mark in "Sun Hands"). The band's single biggest strength, however, is their schizophrenic instrumentation that somehow always shuffles its way into a winning climax. The sheer amount of variation calls to mind recent work from Dodos, but with their vocals even better integrated into a fervent sonic ebb and flow. Their songs take on an Arcade Fire quality of barely-restrained emotion in the verses and cathartically cascading choruses as soon as a bow crosses strings (hey, I'm the first to admit I'm a sucker for the use of violins and cellos in pop/rock).

As debut albums go, this one is impressively promising. Among the comparisons I've made, in fact, it holds up remarkably well. While it may not join Arcade Fire's Funeral in the breakout album pantheon, their songwriting is certainly ahead of Dodos on Visiter. And although their sound may be a bit less focused than the Fleet Foxes' self-titled LP (an impressively cohesive statement of Northwest style, from harmonies to flannels), their evolution as a band has already surpassed what My Morning Jacket achieved on their first couple of albums. If anything, Gorilla Manor tantalizes, showing avenue after avenue that Local Natives could successfully pursue.

Gorilla Manor is out now (officially released Tuesday, 2/16/10) and available from the iTunes Store for $7.99 or Amazon.com for $10.99, an excellent deal either way. I am re-posting the two tracks I linked to in my most recent new music post below, and adding another favorite of mine, "Camera Talk." "Airplanes" truly does recall Arcade Fire with its yearning strings, though his petulant cry of 'I want you back' could appear a tad emotionally sophomoric compared to a dark, brooding fascination with all things funereal. "Sun Hands" is a vocal workout, showcasing the band's range. "Camera Talk," meanwhile, builds gorgeous instrumental layers and vocal harmonies across a two-faced rhythm section that alternates between propulsive rock drumming and glimmering keyboards until the two join forces and crescendo unforgettably.



Monday, February 15, 2010

New Music Monday!

I bequeath to you the newest and the shiniest music floating around the blogosphere. Take these jams for a test drive and let the whole neighborhood feel the bass.


L.A. newcomers Local Natives grab at elements from a lot of my favorite groups - "Airplanes" exudes a yearning, orchestrated quality that recalls Arcade Fire circa debut masterpiece Funeral, while "Sun Hands" recalls recent indie hit-crafters such as Fleet Foxes, Yeasayer, and Dodos. The composition is rich and varied enough to feel derivative of none of the above, and the full album, Gorilla Manor, will get a proper release tomorrow via Frenchkiss Records. I promise a follow-up review of the full album if it lives up to the advance singles - sophisticated indie is becoming a lost art with the advent of feel-good electro-pop.


Toro y Moi hail from South Carolina and bring a remarkable level of subtlety and variation to their electro-tinged, world-juxtaposing songwriting. "Thanks Vision" literally pulses as though the radio dial were slipping in and out of place, the needle were dancing on the vinyl, or the song were inhabited and powered solely by your heartbeat. They seem discontented to simply ride out their initial groove for the full duration of any song, ensuring a varied if slightly ADD listening experience that references musical styles from across the globe. Their new album is called Causers of This and came out Febrary 2, 2010.

The Radio Dept. - Heaven's On Fire

Swedish dream-pop vets come back for a new album riding a blissed-out vibe and sending in vocals so distant they feel like the gloomily literate musings of The Clientele's Alasdair MacLean. 


The scoop on these guys is that they try really, really hard. They song-write in an all-or-nothing manner and emote all over the place, resulting in some brilliant moments on their debut EPs but coming up short on subsequent releases. "Audience" marks their return to the short form, emerging from the new Behave Yourself EP and hinting at a new level of restraint (though not as catchy as their earlier peaks).


Newly leaked track from uber-producer Diplo's group features his best buddy M.I.A. rocking the reggaeton vibe.


Tape Deck Bros' aspirations appear simple - write songs that sound like Daft Punk. They love to open with an icy British voice and then ride a funky electro-groove, dishing up raspy bass for "The Dance of the Dead" and synth pitter-patter on "Science Fiction."


The Golden Filter have been putting out singles and remixes for 18 months and have generated enough hype to secure a record deal. Expect Voluspa (release date: April 26, 2010) to serve up more of the re-hashed 80's vibe, replete with breathy vocals.


Goldfrapp finally returns, and they're clearly willing to keep on experimenting. Sort of. Lead single "Rocket" has garnered the same comparison everywhere - Van Halen during his synth phase. It's hard to tell whether it in any way surpasses or comments on the aforementioned sound, or simply borrows it out of convenience. The remix stretches it out with an echoing italodisco take, focusing on her heartbroken cry, "It's never coming back." We'll see how Goldfrapp's comeback fares soon enough.

Wednesday, February 10, 2010

Thom Knows Best


Thom Yorke has been a busy guy lately. In addition to his charitable interests (currently environmentalism and saving Haiti - no objections here) he apparently still is pursuing a career writing, recording and performing music. If you blinked, you may have missed a short period last fall when a flurry of new material emerged, notably four solo Thom singles and two Radiohead songs (mp3s below). In that same time frame, Thom also put together a new band for the purpose of performing his solo material (no indication yet that he plans to record with them) that included a few ho-hum names like Flea from Red Hot Chili Peppers, Nigel Godrich (Radiohead's go-to producer) and Joey Waronker (drummer for R.E.M. and Beck) and threw a pair of impromptu L.A. live shows. No big deal.


Thom is also in the process of throwing down a new album with those Radiohead chaps (recording started in December), but of course any interesting information regarding release date, content or anything beyond mere likelihood of existence is impossible to corroborate. I can give you a few other morsels to anticipate: Thom will be recording a cover of Peter Gabriel song "Wallflower" for an upcoming PG covers album, contributing guest vocals to Flying Lotus song "...And the World Laughs With You" on upcoming (5/4) mindfuck Cosmogramma, remixing a track for Liars on the bonus disc of their upcoming (3/9) release Sisterworld, and contributing three original songs to the soundtrack of the Tibet documentary When The Dragon Swallowed The Sun (also featuring compositions by Philip Glass and Bjork) which debuted February 5th at the Santa Barbara International Film Festival. Below are the releases from last fall, plus Thom's remix of masked madman MF Doom and a track from his 2006 solo LP The Eraser.



Thom Yorke - Hearing Damage (from The Twilight Saga: New Moon Soundtrack)
Thom Yorke - All For The Best (from Ciao My Shining Star: The Songs of Mark Mulcahy)
Thom Yorke - Feeling Pulled Apart By Horses (A-side from Feeling Pulled Apart By Horses Single)
Thom Yorke - The Hollow Earth (B-side from Feeling Pulled Apart By Horses Single)
Radiohead - Harry Patch (In Memory Of) (Charity Single for the British Legion)
Radiohead - These Are My Twisted Words (from Radiohead distribution site W.A.S.T.E.)
MF Doom - Gazzillion Ear (Thom Yorke Remix) (from Gazzillion Ear EP)
Thom Yorke - And It Rained All Night (from The Eraser)

Monday, February 8, 2010

New Music Monday!

Here are some marginally fresh words, barely-recycled beats and tupperware-worthy tunes. Make of them what you will (but if it's a paella, or even a jambalaya, share, because that sounds really good).


Everything Everything - My Keys, Your Boyfriend

It's tough to even pick a genre with which to peg these guys. A Manchester crew with an impeccable sense of arrangement, they overlay quick rhythms and vocal harmonies relentlessly for almost four minutes of pop bliss. Bands they remind me of (mostly due to their desire to construct rhythm for pop music in a completely non-traditional manner) are the Dismemberment Plan, who dropped a couple of tempo-abusing classics right around the millenium, and Minus The Bear, who wrote a collection of songs on the Menos El Oso LP that had the same jittery, hook-filled vibe. I haven't been able to get it out of my head for a week.

Jonsi - Go Do

I linked to the first advance track from the solo album of Jonsi Birgisson (lead singer of Sigur Ros) here. Now we've got the second, and it feels a bit more like we're back in Sigur Ros territory. For those of you familiar with the Icelandic sound sculptors, that's a good thing. If not, give it a thorough listen, as he inundates the song in sinfully rich atmosphere.

North Highlands - Sugar Lips

North Highlands are a young Brooklyn band crafting deftly arranged, dreamy psych-pop. Fans of Animal Collective, Yeasayer and Grizzly Bear will want to take notice - "Sugar Lips" is a yearning composition with an impressive hint of technical chops and it will only sound better as they mix it in a real studio and bring it to a festival near you in the coming years. Full Disclosure: I played Little League baseball with the drummer, but there's plenty to like here besides Jasper's hipster haircut.

Black Rebel Motorcycle Club - Beat The Devil's Tattoo

Advance single from the Southern Gothic indie vets. It sounds exactly like BRMC - propulsive rhythm and distorted guitar, replete with vaguely threatening vocals.

Sleigh Bells - Ring Ring

I've pumped these guys and girls for all the hype I'm worth (not much yet, I know) and they just keep on making me look good. "Ring Ring" shows a softer side with melodic chops while maintaining their trademark sound (best described as "Oh shit! Are my speakers broken?"). Gorgeous.

David Byrne and Fatboy Slim - Please Don't (f/Santigold)

Upcoming concept album from the Talking Heads frontman and 90's repetition-gurus Fatboy Slim centered around Imelda Marcos, the First Lady of the Philippines. Lead track features sassy Santigold doing what frankly sounds like a Gwen Stefani impression. Back me up here? Though if Gwen ever croons about Nixon, I'd be surprised.

Yeasayer - ONE

New album from the psych-indie troupe hits all the right notes. I linked to the excellent "Ambling Alp" and "Madder Red" here, but "ONE" is just as worthy of your ears. A nice change of pace from their last album, moving in a slightly more accessible direction but retaining their unique aesthetic.

Talib Kweli and DJ Hi-Tek - Just Begun (f/Jay Electronica, J. Cole and Mos Def)

All-star cast of rappers headlines the single from the upcoming Reflection Eternal (Talib Kweli and Hi-Tek) album Revolutions Per Minute, pre-released as part of the Static Selektah The Re:union Mixtape. Well worth a spin, as these are some of the purest emcees producing music at this point in time.

Hot Chip - Hand Me Down Your Love

Hot Chip feature their sensitive side almost exclusively on new release One Life Stand. Listen to the advance tracks I've already featured here. While it feels like a shame to have a new Hot Chip album without a monster dance single, "Hand Me Down Your Love" maintains a stomping groove and wistful sensibility throughout.

Erykah Badu - Jump Up In There And Stay There (f/Lil Wayne)

Erykah Badu's advance single may feature a short cameo from super-rapper Lil Wayne (he trails only Kanye West in the egomania sweepstakes, but he's the hardest-working man in hip hop today), but it's all about the vibe that she's flaunting. She seems to be grooving in a distinctly Prince-like manner, and it suits her to walk in his extravagant shoes for the duration of this slinky, velvet-soul number.

Beach House - Used To Be

Recent release Teen Dream is already a favorite for Best Album of 2010 across the blogosphere. Lead single "Norway" made my year-end top 20 (get it and other advance tracks I featured here) and "Used To Be" continues to show the evolution of Beach House into a slightly dreamier Grizzly Bear counterpart. Victoria Legrand strews her gossamer vocals atop the chiming keys and strings, and this is the definition of what an album track should be on a brilliant record - completely filled with the atmosphere that pervades the album, but able to stand on its own melodic innovation.

Yes Giantess - Tuff N' Stuff

For all those out there who have given up any hope of resisting the mind-bogglingly catchy current electro-pop trend, Yes Giantess drop some synth squiggle worthy of MGMT's catchiest riffs, chant with unbridled enthusiasm, and slather the song's build-up with a raspy backdrop. They descend into utter cheese in the middle, but bring the heat back up right as you're thinking about relegating them to romantic sop status.

Monarchy - Black Is The Colour Of My Heart

Monarchy fall on the icier side of the electro genre, forgoing the chipper exuberance of the above Yes Giantess track for a tone of indulgent regret. I'm not sure what it says about my musical taste that this song has caught me - the melodic arrangements are so predictable that I fear Maroon 5 + any House music producer could have created this - but with deadly smoothness and crystalline groove, you can embrace the extra cheese and just get down.

Saturday, February 6, 2010

Of Hooptys and Hovercrafts; The Def Jux Juggernaut Goes Down

Definitive Jux Records, the most innovative sonic force in hip-hop over the last ten years, will be going on an indefinite hiatus. In the words of El-P, the label's founder and artistic director:

"In 2000 starting a traditional record label made a lot of sense. But now, in 2010, less so and I find myself yearning for something else to put my energy into. I also see newer, smarter, more interesting things on the horizon for the way art and commerce intersect, and as an artist and an entrepreneur, I'm eager to see them unfold. The evolution of this industry is, in my opinion, exciting, inevitable and it would be nice to see the DEFINITIVE JUX brand be a part of it. In other words, maybe we can turn this hoopty in to a hovercraft."

Def Jux was known for El-P's signature beats, which I can most accurately label 'futuristic industrial noise-funk,' and a roster of verbally intimidating rappers. El-P's former group, Company Flow, launched this sound with 1996's Funcrusher Plus (reissued in 2009 on Def Jux), and Def Jux releases The Cold Vein by Cannibal Ox and Labor Days by Aesop Rock rank among the landmark hip-hop albums of this past decade. I truly do hope that the changing landscape of music production and distribution will allow Def Jux to reemerge from its hibernation as a hovercraft, and if it does, it will be well-armed with beats that break the sound barrier and some of the most dangerous emcees around. Rather than write any further about their music, I will let the Def Jux roster speak for themselves.



Aesop Rock - Daylight
 
I did not invent the wheel, I was the crooked spoke adjacent
While the triple-sixers' lassos keep angels roped in the basement
I walk the block with a halo and a stick pokin' your patience




 Cage - Shoot Frank

One last vein to poke made it too dark to see this
Scenery slips then line up to go in the ground and leave us
So repeat this till I'm sick and I won't feed this
To my little girl who kept me in this world to beat this



Cannibal Ox - Ox Out The Cage

Vast Aire:
I grab the mic like, "Are you experienced?"
But I don't play the guitar, I play my cadence

Vordul Mega:
Rap this subliminal thoughts of criminal ways
While critical times got my mind locked in a physical maze



Company Flow - The Fire In Which You Burn

El-P: 
Even when I say nothing it’s a beautiful use of negative space







El-P - Fantastic Damage

vagrant of Reaganomics phasing
read the books that will burn at the barn-raising

this is the third installment of a prequel that was never written right
filmed with that classic Brooklyn magic, without Lucasarts graphics
rendered cuddly comic relief creatures or terrible child actors


Mr. Lif - Return Of The B-Boy

The innocence of infants, instincts of incest,
burning incense i'm intense,
funny how the powerful scent just dents his senses






Murs - Walk Like A Man

Now I used to walk with the gun now I walk like a man
And I walk what I talk and I walk never ran
And I never say never but I mean hardly ever
And if shootin' is the solution then you're not that clever
If you don't know shit then you still know better


Perceptionists - Black Dialogue

yeah, it was written in the books of europeans we were savage
that our history was insignificant and minds below average

master yourself, for maximum outreach potential
respect that you get from that will roll exponential


RJD2 - The Horror

(cool sounding beats)
time to understand the horror
time to understand the monster
(cool sounding beats)

Wednesday, February 3, 2010

DS Picks: Upcoming Live Music

This is designed as a resource primarily for my Seattle-area readers. However, for those of you in other cities but still interested in seeing these bands, I am including a link to the full tour itinerary and dates for each band as well. Each show included is hand-selected and is ranked from * to ***** depending on how talented the artist is and how good of a live show they are likely to put on (based on quality of their last album and reputation as a live act). Hope to see you all at the shows!

Thurs, 2/4/10
Haiti Relief Benefit Show Starring Common Market
Genre: Hip Hop, Breakdancing
Neumos, $10, all-ages, ALL PROCEEDS GO DIRECTLY TO DOCTORS WITHOUT BORDERS
Ranking: *** This Seattle emcee has talent and energy and is breaking out nationally.
Sample Song: Common Market - Connect For
Buy Tickets
Tour Dates

Fri, 2/5/10
Eyedea and Abilities
Genre: Hip Hop, DJ
Nectar, $10, all-ages (early show)
Ranking: ** The emcee is nice and the DJ is INSANE in his ability to mimic the flows with his turntable.
Sample Song: Eyedea and Abilities - Glass
Buy Tickets
Tour Dates

Thurs, 2/18/10
Swollen Members
Genre: Hip Hop
Neumos, FREE, 21+
Ranking: *** British Columbia emcees have mastered fantastic wordplay.
Sample Song: Swollen Members - Black Magic
Buy Tickets
Tour Dates

Sat, 2/20/10
Ruff Gemz - DJ Fucking In The Streets, Sam Rousso Sound System
Genre: DJ/Dance
Lo-Fi, Free before 9pm, 21+
Ranking: **** Music Editor from The Stranger and other scenesters mix, scratch and mash-up every hot indie and pop track you've been digging over earth-rattling bass in a performance space that is too hip for you. Stay tuned, usually happens 3rd Saturday of every month. Hipster quotient high.
Buy Tickets


Tues, 2/23/10
Four Tet
Genre: Instrumental Electronica
Chop Suey, $12, 21+
Rating: * Just released a solid album, but unsure how it will translate to a live show.
Sample Song: Four Tet - Love Cry
Buy Tickets
Tour Dates

Wed, 2/24/10
Goodie Mob (Incl. Cee-Lo of Gnarls Barkley)
Genre: Hip Hop, Funk, Soul
Neumos, $20, 21+
Ranking: *** High-energy original ATL crew are on a reunion tour. Read about them here.
Sample Song: Goodie Mob - Black Ice
Buy Tickets
Tour Dates

Fri, 3/19/10
Ted Leo and The Pharmacists
Genre: Guitar-dominated Indie Rock
Neumos, $14, all-ages
Ranking: ** Talented guitarist, songwriter whose style is retro like Mellencamp or Springsteen
Sample Song: Ted Leo - Biomusicology
Buy Tickets
Tour Dates

Sun, 3/21/10
Metric
Genre: Indie Rock, Riot Grrl
Showbox SoDo, $22.
Ranking: * If this is all-ages, it could get pretty young in here - they blew up big last year.
Sample Song: Metric - Help I'm Alive
Buy Tickets
Tour Dates

Thu, 3/25/10
Electric Six
Genre: Disco-Rock
Chop Suey, $12, 21+
Rating: *** Known for hits "Danger! High Voltage" and "Gay Bar," these guys aren't a band with much nuance or variety but they are known for a hard-hitting live show.
Sample Song: Electric Six - Danger! High Voltage
Buy Tickets
Tour Dates

Sun, 3/28/10
Bear In Heaven
Genre: Indie Rock, Shoegaze
Crocodile Cafe, $10, 21+
Ranking: * 2009 debut album was strong, but no guarantee they are a good live show yet.
Sample Song: Bear In Heaven - Lovesick Teenager
Buy Tickets
Tour Dates

Wed, 3/31/10
Washed Out, Small Black
Genre:  Glo-Fi, Dream-Pop
Vera Project, all-ages
Ranking: ** Unsure how it will translate to a live setting.
Sample Song: Washed Out - Feel It All Around
Buy Tickets
Tour Dates

Fri, 4/2/10
The Morning Benders
Genre: Chamber-Pop
Crocodile Cafe, $10, 21+
Ranking: **** Saw them live opening for Grizzly Bear, very pretty show.
Sample Song: The Morning Benders - Excuses
Buy Tickets
Tour Dates

Fri and Sat, 4/9/10 and 4/10/10
Jonsi
Genre: Orchestral singer-songwriter
Showbox SoDo, $27, 21+
Ranking: ? Lead singer of Sigur Ros has only leaked one track from his forthcoming debut solo album. Good song, but still a mystery project.
Sample Song: Jonsi - Boy Lilikoi
Buy Tickets
Tour Dates

Fri and Sat, 4/9/10 and 4/10.10
Spoon
Genre: Indie Rock
Moore Theater, $27.50, all-ages
Ranking: *** Great band, good album, tight but understated live show.
Sample Song: Spoon - I Turn My Camera On
Buy Tickets
Tour Dates

Sat, 4/10/10
Rogue Wave
Genre: Indie Rock
Neumos, $15, 21+
Ranking: *** Quality indie songwriters reminiscent of labelmates The Shins.
Sample Song: Rogue Wave - Kicking The Heart Out
Buy Tickets
Tour Dates

Sun, 4/11/10
RJD2, Busdriver
Genre: Instrumental Hip Hop, Electronica, Hip Hop
Neumos, $15, 21+
Ranking: *** Talented producer tours after a solid album, accompanied by lightning-tongued rapper.
Sample Song: RJD2 f/Vast Aire - Tippin Dominoes
Buy Tickets
Tour Dates

Mon, 4/12/10
Beach House
Genre: Dream-Pop, Glo-Fi
Neumos, $13, 21+
Ranking: ***** Newest album is amazing and could be transcendent live.
Sample Song: Beach House - Norway
Buy Tickets
Tour Dates

Thu, 4/15/10
Florence and The Machine
Genre: Indie Soul
Showbox At The Market, $19, all-ages
Ranking: **** Huge soul voice like Amy Winehouse, varied and well-written debut album nabbed the #11 song of my 2009 year-end countdown.
Sample Song: Florence and The Machine - You've Got The Love
Buy Tickets
Tour Dates

Tues, 4/20/10
Yeasayer, Sleigh Bells
Genre: Undefinable (Tribal, Freak-Folk, Electro-Clash?)
Neumos, $15, all-ages
Ranking: ***** Yeasayer's new album is fantastic, Sleigh Bells wrote my #1 song of last year and is my most anticipated release of this year.
Sample Songs: Yeasayer - Ambling Alp, Sleigh Bells - Crown On The Ground
Buy Tickets
Tour Dates

Sat, 5/8/10
Owen Pallett
Genre: High-Concept Neo-Classical Indie Rock
Crocodile Cafe, $13, 21+
Ranking: ** Intriguing but probably even weirder live than on record - will he go on stage in character as Lewis, the fighting farmer from an alternate universe?
Sample Song: Owen Pallett - Lewis Takes Action
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Tour Dates

Sat, 5/15/10
Shout Out Louds
Genre: Indie Pop
Neumos, $12, 21+
Ranking: ** Hook-filled indie pop, tends to blend together but they recently introduced a tropical touch.
Sample Song: Shout Out Louds - Walls
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Tour Dates